It could be virtuosic or it could be primal, but it was always loud. Metal bands weren’t the first to embrace dark imagery in their music – that tradition goes back to classical composers like Richard Wagner and blues artists like Robert Johnson – but they approached these subjects with a unique pomp, a hyper-masculine might that gave the genre a musical language of its own. In between, it’s been rejiggered for maximum extremity in underground subgenres like death metal, black metal and grindcore, and, beginning in the early Eighties, the genre as a whole had become a cultural movement capable of overtaking the pop charts. And Avenged Sevenfold ornamented it with catchy, head-turning melodies. Metallica whirled it into a breakneck blur. Judas Priest dressed it in denim and leather. Its roots stretch back to the late Sixties, when artists like Blue Cheer, Iron Butterfly and Led Zeppelin cranked their amps to play bluesy, shit-kicking rockers, but it wasn’t until that fateful day, when Black Sabbath issued the first, front-to-back, wholly heavy-metal album – their gloomy self-titled debut – that a band had mastered the sound of the genre, one that still resonates nearly 50 years later: heavy metal.Īlthough Black Sabbath’s members have scoffed at the metal tag over the years, their lumbering, overdriven guitar, acrobatic drumming and forceful vocals, all originally intended to be rock’s equivalent to a horror movie, have been copied time and again, decade after decade. Powered by Broadtime Tuneportals More Info:With a crash of thunder, the ringing of ominous church bells and one of the loudest guitar sounds in history, a heavy new music genre was born in earnest on a Friday the 13th early in 1970. From the bitter pill of opener “Built Beneath the Lies” to the hypnotic haze of closer “Every Thing, Every Day” it’s clear that that EYEHATEGOD hasn’t slowed or mellowed with time. “A History of Nomadic Behavior” finds the band, now slimmed to a four-piece rounded out by bassist Gary Mader and drummer Aaron Hill, leaner and meaner than ever road-hardened by recent tours with Black Label Society, Corrosion of Conformity and Napalm Death in the US and abroad. With a discography including sludge-punk mainstays like “In the Name of Suffering” (1990), “Take as Needed for Pain” (1993) “Dopesick” (1996) or 2014’s eponymously-titled LP, released in the US through Housecore Records, EHG laid the cracked foundation for their infamous and influential sound. That’s been the blueprint since guitarist Jimmy Bower (also of NOLA supergroup, Down) founded the band in 1988 with vocalist Mike IX Williams joining not long after. Anyone familiar with EHG’s story knows this is survivor’s music, a sound unto itself where Sabbathian riffs are meted out with a caustic anger that goes beyond punk. That’s the sense of disenchantment and disease that lies the heart of their latest and sixth full-length album, “A History of Nomadic Behavior”. Since 1988, they’ve been a soundtrack for the troubled masses. New Orleans’ EYEHATEGOD is the snarling, bilious sound of dead-end America. Spirit World Field Guide (Instrumental Version) How Could Hell Be Any Worse?: 40th Anniversary Ĭhanges Music To Make Love To Your Old Lady By (Instrumental Version) Use Your Illusion I & II: Remastered īlood Harmony īlack Radio: 10th Anniversary Deluxe Edition īutcher Brown Presents Triple Trey featuring Tennishu and R4ND4ZZO BIGB4ND īack In Your Life
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |